Every Documentary Ever

"Look, we can't win without it."
"No one will even care!"
"Because? Because it ties the entire thing together!"
"Look;
first, we need a plain or sparse background.
A dilapidated brick wall,
an alley or street with no traffic,
a cityscape
a field
a couch with a picture on the wall that we can only see a corner of."
"It helps if the background is slightly out of focus."
"The person needs to fill the frame."
"Hey, you have to start with a full shot, then tighten
to a bust; head and shoulders man!
Head and shoulders!"
"It doesn't matter what you say, just speak slowly."
"No... No... Look Towards the camera, but not AT it!"
"To the side, at the ground, it really doesn't matter."
"...just keep filming for another minute or two of this..."
"Ok, it's coming..."
"Alright, now let your words trail off, and then don't say another word..."
"And... FREEZE! Remember, towards the camera, not at it."
"Now, tighten the shot so their face fills it... good..."
Okay! Now just say a few more words
and pause
but emotionally."
"I've told you, it, doesn't really matter what!"
"Here it is!"
"Now just stare off; ground, side, whatever...
remember, your too emotional to make direct eye contact..."
"...good..."
"Hey, shake the camera a little!
Make it try to auto-focus
zoom in and out a bit
come on, act like a professional!"
"Perfect!" "Now, slowly,
slowly, slowly...
look up
and look DIRECTLY AT the camera.
And just stare..."
"...hold...
everybody keep holding...
...keep holding...
and... cut! That's a wrap!"
"Best money shot I've seen, I KNOW we'll win again at Cannes this year!"
"Okay, now we just put that at the end of about
seventy-five
minutes of edited B reel footage
and we have ourselves a winner!"